Bruce Banner, a genetics researcher with a tragic past, suffers an accident that causes him to transform into a raging green monster when he gets angry.
Director: Ang Lee Writers: Stan Lee (Marvel comic book character), Jack Kirby (Marvel comic book character) Stars: Eric Bana, Jennifer Connelly, Sam Elliott
Storyline
Bruce Banner, a brilliant scientist with a cloudy past about his family, is involved in an accident in his laboratory causing him to become exposed to gamma radiation and Nanomeds (A tiny life-form that is supposed to heal wounds but has killed everything with which they have made contact). Confused and curious about his survival, Banner discovers that since the accident, whenever he becomes angry he transforms into a giant green monster destroying everything in sight in an act of fury. Bruce's mysterious past and the answer to why the radiation had this effect becomes revealed to him as his Birth Father David Banner intervenes with hopes to continue experimenting on him.
Hulk Movie Review
Pretty good actually
I went into this fearing the worst and I was rather quite surprised. I thought all the so called 'boring' parts were needed both for characterisation and plot development. The way all this is shot keeps it from slowing down to much and before you know it the Hulk is out. Very impressive visually, only spoiled by a lousy ending.
8/10.
Underworld (2003)
Selene, a beautiful vampire warrior, entrenched in a war between the vampire and werewolf races. Although she is aligned with the vampires, she falls in love with Michael, a human who is sought by werewolves for unknown reasons.
Director: Len Wiseman Writers: Kevin Grevioux (story), Len Wiseman (story) Stars: Kate Beckinsale, Scott Speedman, Shane Brolly
Storyline
A war has been raging between the Vampires and Lycan for centuries, Selene (Beckinsale) is a death dealer, assigned to hunt down and eradicate the last of the Lycan. When she comes across Michael Corvin (Speedman) who holds the key to end the war she must decide where her allegiances will lie.
Underworld Movie Review
Expect Nothing, get a little more
I enjoyed Underworld. I expected it to be absurd, awful, plot-less and pointless. While it is certainly not the most brilliant and original story, nor does it teem with insight about the human condition, its not awful, its plot heavy, and it really isn't pointless. It's just a tad absurd, though.
This is the story of a human (Scott Speedman) entangled in a six hundred year old war between vampires and werewolves, and the vampire death dealer (Beckinsale) whose compassion for him permits her to seek the truth in ways that few of her species have before.
The acting is of variable quality. Kate Beckinsale is wonderfully cute, and does a pretty fair job of acting when she's not doing a Keanu Reeves/Neo impression. Michael Sheen provides a great supporting performance. Shane Brolly isn't really up to the task, in my opinion.
This is a fun action-oriented film, with stylish darkness and enough originality to make it worth seeing. Mildly recommended for vampire and werewolf fans.
Lara Croft Tomb Raider: The Cradle of Life (2003)
Adventuress Lara Croft goes on a quest to save the mythical Pandora's Box before an evil scientist and recruits a former Marine turned mercenary to assist her.
Director: Jan de Bont Writers: Dean Georgaris (screenplay), Steven E. de Souza(story) Stars: Angelina Jolie, Gerard Butler, Chris Barrie
Storyline
Intrepid British archaeologist Lara Croft has made perhaps the most important archaeological discovery in history: an orb that leads to the mythical Pandora's Box. Unfortunately, the orb falls into the hands of Jonathan Reiss, an evil scientist who deals in killer viruses and hopes to sell the secrets of the box as the ultimate weapon. Recruited by British Intelligence to get the orb back from Reiss, Lara recruits Terry Sheridan, a British marine turned mercenary (and her former love interest) to help. The two embark on an adventure that spans continents in an attempt to regain the orb.
Lara Croft Tomb Raider: The Cradle of Life Movie Review
goofball action film
Angelina Jolie returns as a distaff Indiana Jones in "Lara Croft Tomb Raider: Cradle of Life," an action/adventure film (based on a video game character) that is just goofy enough and inane enough to be almost entertaining.
In this follow-up adventure - which is designed to give historians and social studies teachers a severe case of the heebie-jeebies - Lara, the world-famous archaeologist and adventurist, finds evidence that the mythical Pandora's Box is really no myth at all, but rather an actual object loaded with enough plague and pestilence to wipe the entire human race off the face of the planet. It lies buried somewhere, hidden by Alexander the Great in the 4th Century B.C. when he discovered how virulent and deadly the contents of the box really were. Now, twenty-four centuries later, Lara has to try and prevent an evil billionaire capitalist from locating the container, prying open the lid, and bringing an end to civilization as we know it.
Though the storyline is clearly not one to be conjured with, all that really matters in a movie such as this one is that the action move quickly and the stunts be sufficiently enterprising to engage the audience. Credibility is the last prerequisite in a Lara Croft adventure, as evidenced by the fact that if Lara isn't parachuting smack dab onto the deck of a ship or into the passenger seat of a moving jeep, she's hitching a ride on the back of a great white shark and riding it to safety. Ah well, it's all in good fun, I suppose, and Jolie not only looks stunning in all the outfits she's been given to wear, but seems to be having a fine time playing along with the joke.
The ending is inevitably anticlimactic, but viewers can have a pretty good time getting there at least.
The Matrix Revolutions(2003)
The human city of Zion defends itself against the massive invasion of the machines as Neo fights to end the war at another front while also opposing the rogue Agent Smith.
Directors: Andy Wachowski (as The Wachowski Brothers) ,Lana Wachowski (as The Wachowski Brothers) Writers: Andy Wachowski (as The Wachowski Brothers) ,Lana Wachowski (as The Wachowski Brothers) Stars: Keanu Reeves, Laurence Fishburne, Carrie-Anne Moss
Storyline
Neo discovers that somehow he is able to use his powers in the real world too and that his mind can be freed from his body, as a result of which he finds himself trapped on a train station between the Matrix and the Real World. Meanwhile, Zion is preparing for the oncoming war with the machines with very little chances of survival. Neo's associates set out to free him from The Merovingian since it's believed that he is the One who will end the war between humans and the machines. What they do not know is that there is a threat from a third party, someone who has plans to destroy both the worlds.
The Matrix Revolutions Movie Review
It is hard to believe that the original Matrix's philosophical subtlety came from the same authors of the two sequels.
It seems the brothers must have cribbed the original story for the first Matrix, since the last 2 show none of the original's subtlety or interest, just rehashing and CGI multiplication.
One evil robot, two evil robots, many many evil robots. Wow, what an idea, what creativity!
Viewing the behind-the-scenes on DVD disc 2, you can see the reasons for the incoherence of story and scenes - the huge fractured design team, numerous 'senior this' 'senior that', all contributing to some corporate creation lacking any inspiration. Maybe the corporate cube-farm culture works for making cars, but it doesn't seem to work for films.
I would have liked to have seen another level of reality exposed behind the mindless machines, and why are they so mindlessly evil when they can think up such a subtle ruse to enslave the humans? It isn't consistent. Why not introduce an alien ET culture who is really the master culture enslaving the machine culture by some similar hallucinatory ruse. Or, have the humans escape by transcending their bodies, as in all the traditional gnostic spiritualities.
Neo and the rebel leaders estimate that they have 72 hours until 250,000 probes discover Zion and destroy it and its inhabitants. During this, Neo must decide how he can save Trinity from a dark fate in his dreams.
Directors: Andy Wachowski (as The Wachowski Brothers) ,Lana Wachowski (as The Wachowski Brothers) Writers: Andy Wachowski (as The Wachowski Brothers) ,Lana Wachowski (as The Wachowski Brothers) Stars: Keanu Reeves, Laurence Fishburne, Carrie-Anne Moss
Storyline
Six months after the events depicted in The Matrix, Neo has proved to be a good omen for the free humans, as more and more humans are being freed from the matrix and brought to Zion, the one and only stronghold of the Resistance. Neo himself has discovered his superpowers including super speed, ability to see the codes of the things inside the matrix, and a certain degree of precognition. But a nasty piece of news hits the human resistance: 250,000 machine sentinels are digging to Zion and would reach them in 72 hours. As Zion prepares for the ultimate war, Neo, Morpheus and Trinity are advised by the Oracle to find the Keymaker who would help them reach the Source. Meanwhile Neo's recurrent dreams depicting Trinity's death have got him worried and as if it was not enough, Agent Smith has somehow escaped deletion, has become more powerful than before and has chosen Neo as his next target.
The Matrix Reloaded Movie Review
Upgrades!
The thing that really strikes me about The Matrix Reloaded is that the increase in quality, if it can be said that there actually is one, from the first movie is more the result of an increased budget than anything else. I loved the new movie, but the talent was there in the first one, you can just tell that in the sequel the Wachowski brothers had a virtually endless budget, which allowed them to do pretty much anything they wanted. They have a very distinct style that is clearly evident in all of their movies, even if they are not laden with special effects. The fluidity of the camera movement and the strangely dark tones of their films are only a couple of the techniques that make them recognizable. These things really come to the surface if you watch the Matrix films, some of the most recognizable films ever made, and then watch an earlier one of their movies, like the trashy 1996 thriller, Bound.
That being said, I think it's safe to say that, despite the massive and seemingly unsurpassable genius of the first Matrix film, the Wachowski brothers have made another step up from their last film. It should be noted that the film is the second part in a trilogy, especially before groaning out loud at the sudden ending of the film, which built up and built up and built up and then just stopped, just like the fist Lord of the Rings film did. I won't take time here to go into what the story is about and how it continues the story from the first film, if only because plot summary in film reviews is a total waste of time for the writer as well as the reader, and also because I've only seen the movie twice, which really isn't enough to get a total grasp on the depth of the plots, so I'll just suffice it here to say that the startling complexity of the original Matrix (a complexity which is almost unheard of in a science fiction film) is added onto and expanded in this film, although despite being hard to follow, is never confusing.
I've heard all kinds of talk about the Italian Job having an even better car chase than The Matrix Reloaded and how the chase in this film wasn't even that good at all, blah blah blah. There is a freeway chase scene in this film which recklessly promotes reckless driving (and, even worse, reckless riding), but it is one of the most impressively made and fascinating car chase scenes that I've ever seen. It also contains the characteristic style of the Wachowski brothers, and is famously filmed on a freeway that was constructed strictly for the filming of this scene. I can't remember where, Australia, I think. Anyway, Morpheus and one of the agents are having a kung-fu fight on top of a semi trailer (which the driver never seems to notice), the poor keymaker in struggling to stay out of the way, Trinity is flying between cars against traffic on one of the most badass motorcycles on the road (enter the Ducati commercial), and Morpheus is off doing, as they say, `his superman thing.'
The superman thing is one of the elements of the movie that bordered on being campy, as the multitude of Agent Smiths comment to themselves, `He's still only human.' And then in the next scene he's flying. This is one of the points where you really need to keep in mind that Neo's body is plugged into a machine, in the strikingly less appealing real world, and is basically playing a video game where he'll die in real life if killed in the game because his body will think that it has been killed for real and will shut down.
During the freeway scene, there's a camera shot where the camera literally goes right through the chassis' of a couple of semi trucks as it follows Trinity, which I think got the biggest reaction from an audience in a single scene that I've seen since that Velociraptor jumped up at the ceiling in Jurassic Park. One of the other most memorable scenes is the lengthy fight scene between Neo and the hordes of Agent Smiths, one of the most entertaining fight scenes I've ever seen. It's obvious that the vast majority of this scene is special effects (and not only because there are hundreds of the same guy in it), but it is so well made and convincing and even amusing that the entertainment value of it is massive.
The new villains, by the way, are some of the best new villains since the Reapers in Blade II. I've heard something about an albino interest group that's trying to sue for the way albino's are portrayed in this movie because of these guys, although I can't exactly agree that they're even albinos. These guys are so weird looking they're barely human. If the albino interest groups are trying to sue, why didn't they sue when Me, Myself, and Irene was released? Anyway, these guys have the interesting skill of becoming transparent and therefore untouchable, with the small condition that they are also unable to attack when in this defensive mode, which makes for some great fight scenes as well as some cool tricks, like that of hopping into rapidly approaching Escalades (oh, there are lots of Cadillac commercials here, too). I heard recently that Cadillac is trying to aim for a younger audience than the much older people who tend to drive their cars, and if there were ever any doubts that the rumors are true, they are completely dispelled by their heavy placement in this movie.
There are certainly some scenes in this movie where it drags and seems to even border on being unnecessarily philosophical and confusing, such as in the extensive meeting with the Oracle, who tells Neo all about choices that he has made but doesn't know he's made yet, or needs to make even though fate has already determined what decision he would make, or something of that nature, where after a while we find ourselves (or at least I did) paying more attention to the pigeons walking around in this startlingly different atmosphere than to the deep conversation that they're having. Maybe this is why it takes me more than two viewings to get the complete story of movies like this. Blasted pigeons.
There is a lot of controversy over the quality of The Matrix Reloaded, which is to be expected, since it is a movie that has garnered such a vast amount of attention, even if only because it is the follow-up to such a massively successful film. But like Terminator 3, I personally was hugely impressed with this sequel, and am more than able to accept it as a bridge between the original and the final film in the series. It is the better part of three hours long, but goes by much faster than anticipated because it is so well made and entertaining. Never mind that totally campy scenes, like the bullet removal scene and the dance club scene, because like so many other sequels these days (and unlike so many others), The Matrix Reloaded will leave you eager to see the next one.
